Are you debating whether or not to take the optional ACT essay? Some schools require it, so we highly recommend that you take it (make sure to register for ACT with Writing).
But no need to stress! The essay follows a predictable format, which means you can practice and prepare beforehand. Take a look at a sample ACT writing prompt and learn five key steps to penning a high-scoring essay.
ACT Writing Prompt
This example writing prompt comes straight from our book Cracking the ACT:
Education and the Workplace
Many colleges and universities have cut their humanities departments, and high schools have started to shift their attention much more definitively toward STEM (Science, Technology, Engineering, Mathematics) and away from ELA (English, Language Arts). Representatives from both school boards and government organizations suggest that the move toward STEM is necessary in helping students to participate in a meaningful way in the American workplace. Given the urgency of this debate for the future of education and society as a whole, it is worth examining the potential consequences of this shift in how students are educated in the United States.
Read and carefully consider these perspectives. Each suggests a particular way of thinking about the shift in American education.
|Perspective 1||Perspective 2||Perspective 3|
|ELA programs should be emphasized over STEM programs. Education is not merely a means to employment: ELA education helps students to live more meaningful lives. In addition, an exclusively STEM-based program cannot help but limit students’ creativity and lead them to overemphasize the importance of money and other tangible gains.||ELA programs should be eradicated entirely, except to establish the basic literacy necessary to engage in the hard sciences, mathematics, and business. Reading and writing are activities that are best saved for the leisure of students who enjoy them.||ELA and STEM programs should always be in equal balance with one another. Both are necessary to providing a student with a well-rounded education. Moreover, equal emphasis will allow the fullest possible exposure to many subjects before students choose their majors and careers|
Write a unified, coherent essay in which you evaluate multiple perspectives on the issue of how schools should balance STEM and ELA subjects. In your essay, be sure to:
- analyze and evaluate the perspectives given
- state and develop your own perspective on the issue
- explain the relationship between your perspective and those given
Your perspective may be in full agreement with any of the others, in partial agreement, or wholly different. Whatever the case, support your ideas with logical reasoning and detailed, persuasive examples.
How to Write the ACT Essay
Your job is to write an essay in which you take some sort of position on the prompt, all while assessing the three perspectives provided in the boxes. Find a way to anchor your essay with a unique perspective of your own that can be defended and debated, and you are already in the upper echelon of scorers.
Step 1: Work the Prompt
What in the prompt requires you to weigh in? Why is this issue still the subject of debate and not a done deal?
Step 2: Work the Perspectives
Typically, the three perspectives will be split: one for, one against, and one in the middle. Your goal in Step 2 is to figure out where each perspective stands and then identify at least one shortcoming of each perspective. For the example above, ask yourself:
- What does each perspective consider?
- What does each perspective overlook?
Step 3: Generate Your Own Perspective
Now it's time to come up with your own perspective! If you merely restate one of the three given perspectives, you won’t be able to get into the highest scoring ranges. You’ll draw from each of the perspectives, and you may side with one of them, but your perspective should have something unique about it.
Step 4: Put It All Together
Now that you have your ideas in order, here's a blueprint for how to organize the ACT essay. This blueprint works no matter what your prompt is.
Body Paragraph (1)
|Body Paragraph (2)|
Step 5: (If There's Time): Proofread
Spend one or two minutes on proofreading your essay if you have time. You’re looking for big, glaring errors. If you find one, erase it completely or cross it out neatly. Though neatness doesn’t necessarily affect your grade, it does make for a happy grader.
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A mellifluous, faintly creepy, male voice narrates The Book Thief, and it takes just a little while to work out that it is Death (Roger Allam), reminiscing on the days when he was busy in Nazi Germany. He introduces us to Liesel Meminger (Sophie Nélisse), a young girl with blonde curls and a face from an Ovaltine advertisement, whose younger brother dies and whose desperate mother can no longer keep her.
Rush and Watson (he playing a wise and gentle drinker, she a spluttering firebrand with a heart of gold) bring some depth to the story, with their combustible marriage strengthened by the terrifying secret that they are hiding a young Jewish man, Max (Ben Schnetzer).
Yet, fear generally makes people careful and wary, especially when they are hiding an important secret. Here, it renders them clearly foolish, a fact not acknowledged by the film itself. Liesel trespasses and steals a book from the home of the local Burgermeister, a leading local Nazi. She and her rebellious friend Rudy (Nico Liersch) yell “I hate Hitler” at a lakeside where anyone might be listening.
Max gives Liesel a copy of Mein Kampf with all the pages whited out, so that she can write her own ideas there (a poetic construct, no doubt, and also one likely to land its actual owner in serious trouble). Watson’s character makes a showy, wholly unnecessary appearance at school to tell Liesel that Max is getting better (couldn’t she wait until her daughter got home?). I could go on...
At times I choked up, and yet I felt manipulated. One can understand why storytellers and filmmakers are drawn to Nazi Germany: its choices were so stark, and the price of courage so great, that it arrives already freighted with emotion. Still, I came away from The Book Thief with the uneasy sense that history had been subjected to a wealth of sentimental fictional tweaking, a kind of self-indulgent wallowing in the human drama of the era without a profound understanding of its reality.
And that, combined with the detailed croonings of an imaginary Death about how he garnered the souls of the dying, began to make me feel a little queasy.
READ: Robbie Collin's review of Non-Stop